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When our strings leave Sønderborg in Denmark, they travel to all parts of the world, so you can get a hold of them and use them for your musical activities. To help these strings find their way to you as a musician, we have developed a network of partners who can meet your needs in your local area. Among many highly valued partners, we have had the honor of working together with GEWA for many years. Building a personal relationship to GEWA’s employees is an important step in securing good communication to all the Larsen players in Germany, Austria, France, Italy and the Netherlands.
Therefore, we sometimes invite some of GEWA’s employees and the time had come for Simone Messner to visit us. Simone, who takes care of Social Media & Network at GEWA, was interested in learning more about the mysterious world of string making.
During her visit, we showed Simone how strings are made, from the core to the final string. The first step is to prepare the core of a string. At Larsen Strings, we work with three types of cores: solid steel core, synthetic core and multi-stranded steel core. When the cores are ready, they enter our machinery to be loaded with different layers of materials. Most importantly, our specialized employees and machinery supervise the manufacturing process meticulously in order to support the highly consistent quality of Larsen Strings. After a final quality test, the strings receive their silk colors and are then ready to be packed and shipped to you.
Understanding, not all the secrets, but some of the secrets behind the making of a string is very important for GEWA’s employees, who have the difficult job of communicating the special qualities of Larsen’s strings to their markets. But most of all, what really matters is for us, the people behind Larsen Strings and the people behind GEWA’s communication, to get to know each other better. All while discussing strings we improved our mutual understanding, thus creating strong relations.
It’s all about people.
Thank you to Simone Messner from GEWA for stopping by. We couldn’t do it without you.
At Larsen Strings we always involve musicians in our string development process. Some weeks ago, we had the pleasure of testing strings together with three musicians from Flensburg during a 4 hours’ session. Trying strings with musicians is an important phase of Larsen Strings’ development process. Even though we have acquired a good understanding of how different materials affect different strings, to really get to know if we are on the right path, we need to work with musicians.
In a first step we tried strings with Kerrin Bohn, who has a beautiful bright sounding instrument. Kerrin played Larsen Original strings, and was happy to rely on the mellow sound these strings provide. By the end of the session, however, she had switched to the Tzigane strings. Besides bringing warmth of tone, the Tzigane strings added a new radiance to her instrument: a warm, carrying spectrum of overtones.
Afterwards, we tried strings with Anja Sommerer, who has helped us many times over the last few years. For some time, Anja played our Virtuoso strings, but this time we had new strings for her. And she liked them so much, she couldn’t stop playing.
To finish the session, we tried strings with Anna-Maria Kotani, who plays a French instrument. Anna-Maria’s final choice fell on the Virtuoso strings.
Why do we keep on developing new strings?
Because we believe that, through research, we can develop strings that will bring new possibilities to musicians. Whether we strive to improve the projection, the palette of colours or the durability of the strings, our goal is always to respond to the special needs of the musicians we meet, and we know that musicians in their creative quest are always searching for new sources of inspiration.
Thank you to all three violinists, Kerrin Bohn, Anja Sommerer and Anna-Maria Kotani, for giving us some of your precious time and especially for your valuable feedback.
We couldn’t do it without you!
By: Tobias Krutz, a German violinmaker and cellist from Düsseldorf
The new Larsen Magnacore® Arioso C and G strings are great and powerful and have at the same time a “round” sound. Each string instrument needs a specific tension level to balance its inner resistance. Often an overload of tension reduces the vibrating capacity of the instrument. This is where the new Magnacore® Arioso strings provide a unique opportunity of creating a beautiful, wide and sophisticated sound at a lower tension level. Especially the upper strings gain freedom and volume from the lower tension level.
To read the entire article, originally in German, please visit: http://geigenbau-krutz.de/saitenspannung-und-der-einfluss-auf-das-instrument-neue-larsen-magnacore-arioso/
Thank you, Tobias, for this very nice contribution to our blog. We couldn’t do it without you!
Recently we had the pleasure of welcoming the Danish Violinmakers Association (“Violinbyggernes Mesterlaug i Danmark”) here at Larsen Strings. The Association held their annual general meeting in Sønderborg and subsequently made a visit to Larsen Strings.
Hand in hand with violinmakers
How we make strings, how we ensure a consistent quality and how our strings may affect their instruments. This is what we wanted to share with the Danish violinmakers, hoping in this way to help them acquire an even better understanding of how strings react to different instruments, allwith the ambition of offering the best possible support to musicians.
From raw material to the packing of strings…
As a first step we looked at the preparation of the different core materials, whether synthetic, solid steel or multi-stranded steel core. We then discussed the making of the strings: How materials and manufacturing are carefully monitored to ensure that strings have consistent quality. Going further, we showed them how the strings are tested and fitted with the Larsen color codes to be ready for packing, sealing and distribution.
We are happy to be part of it!
Thank you very much to the Danish Violinmakers Association for giving us the opportunity to show you what we do and for your most important feedback. Musicians use your instruments and our strings to make music to the benefit of the listeners. We are happy and very proud to be a link in this process.
Thank you for stopping by. We couldn’t do it without you, the violinmakers.
The cello group of the NDR Symphony Orchestra, a long-term cooperation partner of ours, has given us invaluable feedback during the past years.
Last week we had the pleasure of working again with one of the cellists from Hamburg. Katharina Kühl came by with her old Italian cello which she had strung with Larsen Magnacore® medium and strong strings (A medium, D strong, G medium and C strong) to respond to the specific needs of the instrument. This time we changed the Magnacore® C strong to a Magnacore® Arioso string and it was a success: The Arioso C string brought a new richness to the lower register of the instrument and the upper register gained in sound colour.
Thank you for stopping by. We couldn’t do it without you!
Read more about the Magnacore Arioso strings
On a beautiful afternoon in Lübeck, Prof. Troels Svane had gathered his class and invited some violin-makers for a string session. Dr. Thomas Zwieg, product development manager at Larsen Strings, was there to present the Magnacore® and Magnacore Arioso cello strings.
During the afternoon, Dr. Zwieg strung 13 beautiful instruments. Testing string after string on so many instruments is exhausting, but, at the same time, it is impressive to hear the unique transformation of each instrument as it reacts to new strings. Through the course of the six-hour session, it soon became clear that Larsen Strings could find a solution to every cello. As Troels Svane expressed it:
“It is quite unbelievable how good the Magnacore strings sound. In my opinion, Larsen Strings has achieved a perfect standard set-up for most instruments.”
Every instrument needs something different
Some of the instruments were new celli built by contemporary violinmakers. Two of these instruments, a cello by Dietmar Rexhausen and another one by Ragner Hayn, were strung with Magnacore strong strings. Conversely, two celli from the two brothers Roland and Christian Erichson used a combination of Magnacore Arioso strings for the G and C strings together with different medium and strong Larsen A and D strings. Besides giving more sonority to the lower strings of these instruments, the Arioso helped the upper strings opening up and thus improved the overall sonority of the instruments.
A Vuillaume as well as another cello from the Vuillaume School ended up with the same set-up: Magnacore medium strings with a Magnacore D strong.
Among the older Italian instruments, three ended up with the Magnacore Arioso strings. The instruments, a Testore, a Ventapane and Troels Svane’s Tecchler, all gained from the extra playability and sonority that the Magnacore Arioso brings. As expressed by Troels Svane:
“In comparison to the strings I had before, the Magnacore Arioso C string is even more substantial, powerful, warm and broad. At the same time, I recognize the radiant sonority of my old strings.”
However, as every instrument is different and needs to be handled in a special way, other older Italian instruments needed something completely different. A Panormo and a Postigilione were at their best when they were strung with Magnacore strong strings.
And finally, a set-up depends very much on the player. Some players like specific set-ups and will use them on all instruments.
Free your voice with the Magnacore Arioso strings
We do understand that seeking the right balance with strings is a long and expensive task. Hoping to help you make the right choice, we have developed a list of aspects that characterize the Magnacore Arioso strings:
Read much more about the Magnacore Arioso G and C strings in the product sheet.
Our 25th anniversary year is drawing to an end, and we would like to take this opportunity to thank you for choosing Larsen Strings.
In 2015, we launched a revised version of our website and a new blog, all with the purpose of offering additional layers of information. Read about the blog and our aim to establish a community where string players and others with an interest in strings can join the conversation and share their thoughts: blog.larsenstrings.com.
Furthermore, to give a better understanding of how our strings can contribute to your instrument, we have developed a number of videos, which we hope will support and guide you in the search of the perfect set-up. Read more about our videos or even better, take a look at them via You-Tube or our website.
Certainly, our 25th company anniversary was the highlight of the year. In June, we had the pleasure of celebrating this milestone with business partners and friends. Thank you to everybody who in one way or the other contributed to making the anniversary an unforgettable event. Read about Larsen Strings’ 25 years of history, or watch our anniversary video.
Finally, what made 2015 another special year is the contact we have with you, the musicians – who support us over and over again by playing so wonderfully on our strings.
To learn more about the artists with whom we have the pleasure of cooperating, follow us on Facebook, Twitter or Google Plus or read our blog.
We couldn’t do it without you!
As always, we are working continuously with optimization of our existing strings and with the development of new strings, and we look forward to 2016 with high expectations.
While many musicians in the search of the perfect set-up come to us, once in a while violinmakers also find their way to us.
Yesterday, Ian Crawford McWilliams, a Canadian violinmaker living in Brandenburg an der Havel, traveled all the way to Southern Denmark to visit us. He brought with him a cello and a viola.
As Ian explains it, for a violinmaker it is important to choose an all-round string set-up that will suit the needs of most musicians.
With the help of cellist Katarina Skliarevski and Larsen Strings’ violist Marie Girard we tried new set-ups of strings on the two wonderful instruments, improving the overall balance and sonority of the already well sounding viola and cello.
Thank you Ian for stopping by
Trying strings with musicians is always an experience full of surprises. When Susanne Hoffmann from the South Denmark Philharmonic came to visit us, she brought with her a Bächle cello from 1993 strung with Larsen Soloist and Original strong strings, as recommended by her violinmaker. Through the string test, we found out that using strong strings on Susanne’s cello was not necessary. In fact, by choosing strings of a much lighter tension, the instrument became much easier to play. It is like the difference between using a pencil with a hard or a soft core. With a hard pencil, the writer needs to work harder than with a softer pencil, however, the result might be more suitable to the writers’ need and expectation.
When Susanne went back home, she was looking forward to experiencing a new easiness of playing.
Thank you Susanne for visiting us.
Does that mean that every player should look for less tension strings?
The answer to that question is no. Some players prefer strings which offer more resistance to the bow while others prefer to let the instrument sing by itself. At the same time, an instrument gives the best of its potential at an optimum level of tension and this level differs from instrument to instrument. To find out which level of tension fits your personal style of playing and your instrument is not an easy quest. Through these blogs, we tell you about the experience of the players we meet, hoping that these narrations will provide a guideline for other players.
If you want to know more about the effect of string tension on your instrument, we strongly recommend you to read the blog: What is the gauge – and how to choose between soft, medium and strong tension strings?”, which provides an understanding of how different levels of tension affect your instrument and your playing.